How to change Classical Karate into Kung Fu!

By Al Case

I'm going to tell you something that is easy, but which will open your mind, in this article. I am going to tell you how to make your martial art of Karate into Kung fu. And, of course, you should be able to make your martial art of Kung Fu into Karate.

The fact of the matter is that Karate developed from Kung fu. For hundreds of years Okinawa was the shipping center of the far east, and every art, soldier, ambassador, or whatever, came through the doors, and the arts gathered, were dissected, and reorganized to the extreme. Still, there are only so many things you can do with the body, and the main differences are stylistic.

A block is a block, a punch is a punch, a kick is a kick, and a technique is a technique. Shotokan used to be Te, Uechi Ryu used to be Pan Gai Noon, and so on. That said, let's look at a couple of the stylistic differences and what to do about them.

First the stances one will find in Kung Fu are lower, have more flourishing, and are badly altered by the students desire for art. What I am saying is that somebody will sink into his back stance, put the ball of the foot forward, and tweak the hell out of the back stance just so they can feel, and put on the image of having more power. Nothing wrong with more power, but this is a show of power, and not the real thing, not the real chi power that is available to a student of the true art.

The stances common to karate are usually a bit higher, and they put more emphasis on snapping the hips into the move being done. Nothing wrong with this, but in the case of the back stance, for instance, the back leg is usually turned out too far, splitting the intention, and immobilizing the stance. Now, if you want proof, take a gander at images of classical stances in kung fu and karate and see if I haven't described what is happening accurately.

Moving up to the arms, the kung fu people have smoother, more liquid motions, and they swing the arms in a more circular fashion. Karate people, on the other hand, turn the hips sharper and explode the power outward in a more linear fashion. So the motion, and the energy involved in the two arts, vary from explosive lines to swinging arcs.

So, if you want to change your karate into a kung fu type of style, simply align the turn of your stance with the turn of your hips and let the arms circle larger. If you want to change from kung fu into karate, snap the hips and make the circles tighter and more linear. Yes, I know this sounds too easy, but, try it for for a few weeks and you will be immensely surprised, you are going to tap into a world of different power, and that power, karate if you are kung fu, kung fu if you are karate, is amazing.

Now, before any martial arts purists get ahold of me ahold of me, let me make a point. There is ballet and there is ballroom and there is jazz and there is...and in the martial arts, dig a little deeper, and you will find the fundamental principles that are heart and soul to the immense power and art the human being can create. So, whether you practice a kung fu like mantis, or a style of karate like shotokan, work with the concepts I have given you here, and let your art flower. - 31491

About the Author:

Notable Rounds during UFC 98

By Diego Penn

DAVE KAPLAN VS. GEORGE ROOP: Round 1 - Kaplan works kicks and Roop punches, but little lands early. Roop misses with a head kick. Roop partially connects on a combination of punches and follows a bit later with a nice body kick. Roop scores one of his own. Kaplan has a trickle of blood coming from the bridge of his nose. Kalplan lands an overhand right as Roop moves in. The fighters continue trading punches and kicks with no sense this fight will go to the ground. Roop with a nice front kick to the body, but Kaplan connects on the second part of his combination with a left. Kaplan becomes the aggressor and punches through Roop's reach. Roop throws a head kick that partially connects, but Kaplan shakes it off. Roop lands an uppercut and body kick, and Kaplan shoots, scores the takedown and backs Roops into the fence. Kaplan stands and eats an upkick and then backs off and allows his opponent to do the same. Both fighters get in a few more licks before the end of the round.

PAT BARRY VS. TIM HAGUE: Round 1 - All smiles as the fighters touch gloves. Hague throws the first punches and forces Barry to retreat before he charges forward with a looping right that partially connects. Barry, a smaller heavyweight, showing the speed and elusiveness he talked about. Barry stuns Hague with a combo and head kick and has his dazed. But Hague grabs hold and forces the fight to the mat to regroup. Barry takes to his knees, and Hague blankets him and locks in a guillotine choke when Barry pops out his head. After locking in the body triangle, Barry is forced to tap.

FRANKIE EDGAR VS. SEAN SHERK: Round 3 - Sherk swings with a sense of urgency, but Edgar patiently waits for an opening while circling away. Edgar throws a lazy hook, and Sherk makes him pay with a lightning-quick double-leg takedown. Edgar, though, quickly gets back to his feet. Both fighters look to shoot and knock noggins. Edgar goes high with a head kick that basically just lands as a face slap. Back to the center of the cage, and the pace slows a bit. Edgar shoots, Sherk quickly sees it coming, and we restart in the center of the cage. This time Sherk shoots. Edgar sprawls and easily defends from the takedown. The fighters trade punches again, and Edgar counters with a solid three-punch combo that lands. He then stuffs Sherk's shot and makes him pay with a quick right. With 10 seconds left, Sherk shoots one final time, but Edgar locks in a deep guillotine and pulls guard before the horn sounds.

DAN MILLER VS. CHAEL SONNEN: Round 2 - The fighters trade kicks. Miller catches one, but after a scramble for position, the fighters clinch against the cage, where Sonnen scoops up Miller and slams him to the mat. Sonnen again gets trapped in a guillotine, but he frees himself and works the body with punches. Miller tries to pull him tight from below, but Sonnen postures up and drops a solid elbow strike to the face. Sonnen works a few hammerfists to the mug and follows with shots to the body. Sonnen's assault slows before Miller slaps on an armbar. He tries to stretch it out, but Sonnen breaks free and returns to his opponent's guard. Miller again pulls him close, but Sonnen gets through a couple elbow strikes and hammerfists. The pace slows with 40 seconds remaining, and the boos start to rain down. Sonnen stands over his opponent and rains down a big looping left that just misses.

XAVIER FOUPA-POKAM VS. DREW McFEDRIES: Round 1 - McFedries strikes first, drops his opponent, and batters him with a series of brutal blows. Foupa-Pokam somehow gets back to his feet, and he's popped with a big uppercut and again hits the canvas. McFedries follows with more brutal shots as Foupa-Pokam is pinned against the cage. Yves Lavigne jumps in to stop it, though Foupa-Pokam initially protests.

CHAMP RASHAD EVANS VS. LYOTO MACHIDA (for light-heavyweight title): Round 2 - Machida misses with an early body kick. Machida fakes a shot and then backs off. Machida with another big body kick. He instantly clinches, can't force the takedown and quickly retreats out of Evans' reach. Machida lands an inside leg kick. Machida lands two nice punches, and Evans counters with two of his own. Evans lands a nice body kick after a lull in action. Machida fakes a charge, and Evans circles away and resets. Machida throws a combination. The first punch dazes Evans and the second drops him. Machida Charges in throwing wild blows that connect. The frantic pace continues even as Evans fights back. The blows mount up and have Evans staggered. A few more shots and a final left knock him out for good and force the TKO stoppage. - 31491

About the Author:

Noteworthy Rounds during UFC 100

By Diego Penn

C.B. DOLLAWAY (9-3) VS. TOM LAWLOR (6-1): Round 1: (Tom Lawlor is coming to the cage with "Who Let the Dogs Out?" playing. Seth Petruzelli is on a chain, bone in mouth, walking on all fours. Really; I can't possibly make this stuff up.) Dollaway opens the bout with a nice one-two combination. Lawlor swings, but Dollaway ducks under and shoots. While airborne, Lawlor slaps on a guillotine choke. Dollaway hits his back, and there's little movement seconds later. Lawlor yells at the ref that Dollaway is out cold, and Yves Lavigne jumps in to break up the bout with Dollaway clear out cold.

T.J. GRANT (14-3) VS. DONG HYUN KIM (12-0-1): Round 2: Kim connects a left hed kick. Grant quickly defends and regains hos composure before landing a right and charging in. With Kim pinned against the cage, Grant works for the single leg. Kim defends, reverses the position and puts Grant in the guillotine submission from top position. Three in a row? Nope. Grant escapes but is now on his back as Kim works from full guard. Grant goes high with his guard but eats a right and a few elbow strikes. Grant is looking frustrated on his back as Kim continues a dominant top games that includes some pretty nasty shots. Grant, though, ties up Kim and has him stretched out in an odd position, but Kim backs out and stands over his opponent. He missed when raining down a shot but quickly returns to full guard. Grant works for an arm, but Kim gives up an effort to free a leg and puts Grant back into guard before posturing up and just missing with a huge right hand from the standing position. A timeout is called when Grant connects on a kick to the face while Kim still has a knee on the mat. A point may have been deducted for the illegal blow. The fighters restart from the standing position as the round expires.

JON JONES (9-0) VS. JAKE O'BRIEN (11-3): Round 2: Jones connects with a body kick. O'Brien is unaffected and takes the center of the cage and lands a nice right. Jones keeps circling and won't be a stationary target. Jones snaps off a good inside leg kick but the following head kick is blocked. The pace slows a bit as the fighters trade the occasional punch. Jones fires off a couple combinations and leg kick and graces O'Brien with a spinning back elbow. O'Brien quickly recovers, but Jones turns on the burners and throws a series of kicks. O'Brien shoots, Jones stands over him and then slaps on a choke that forces the tapout in quick fashion.

STEPHAN BONNAR (14-6) VS. MARK COLEMAN (16-9): Round 1: No action early as Coleman watches Bonnar fake moving in. After 35 seconds, Bonnar throws the first punch and misses. Coleman shoots and quickly puts his opponent on his back. Bonnar grabs a leg and forces Coleman into a akward position by trapping an arm between his legs. Coleman is turned away from Bonnar, which allows him to work for a knee and ankle. Coleman looks to fold up Bonnar and drops a punch punch to his belly, and he then moves into north-south position from the top. Bonnar tries to roll free and eventually secures half guard. Simultaneous "Coleman!" and "Bonnar!" chants erupt. Bonnar gets back to his feet. Coleman hangs on to him and eats a quick burst of elbows to the head as Bonnar kneels over him. Bonnar continues the strikes as Coleman is on all fours with Bonnar pinned with his back against the cage. Herb Dean keeps a close eye on the action as Bonnar now looks to secure an arm. He again locks in arm between his legs and then tries to take Coleman's back. The awkward positioning is favoring Bonnar, who mixed in the occasional elbow to the side of the head. Bonnar works a kimura in the final seconds but is stopped by the bell.

STEPHAN BONNAR (14-6) VS. MARK COLEMAN (16-9): Round 3: Coleman looks a bit gassed and remains flatfooted as Bonnar throws punches to open the round. Bonnar bounces with head movement before he's backed up with a couple nice rights from Coleman. Coleman shoots again, but Bonnar sprawls and gets back to his feet. Coleman clings to him from a kneeling position but then joins his opponent standing. Coleman pins him against the cage and then secures another takedown. Coleman frees a leg and works from half guard while the fighters are tight up against the cage. Bonnar ties up his opponent's arms and initially avoids damage. Bonnar goes into the fetal position up close to Coleman's body, but he spread back up and drops a big right hand from the top. Coleman then works short punches to the body before standing over Bonnar, who tags him with a kick-slap to the face. Bonnar remains standing over him, too tired to do anything but collapse on top of him. Working from full guard, Coleman drops elbows and punches knowing he could likely take the decision with this round. Bonnar tries to escape, Coleman takes his back. Against the cage, though, Coleman doesn't have the room he needs to lock in both hooks. He holds Bonnar close to wait out the round. - 31491

About the Author:

Interesting Rounds During UFC 100

By Diego Penn

MICHAEL BISPING (18-2) VS. DAN HENDERSON (25-7): Round 2: Henderson takes to the center of the cage, misses on an overhand right and takes a jab to the nose. Bisping follows with a body kick before the two misses with simultaneous power shots. Henderson uses the right to charge in, but Bisping answers with a quick knee from the clinch. Henderson's next overhand right finds its mark, though, but Bisping shakes it off. Bisping lands a nice left before sidestepping Henderson. Both fighters then miss on big looping right hands. Bisping works a combination but is out of reach to do much damage. Henderson charges in, blocks a knee to the body but can't avoid Bisping's right. After an inside leg kick, Henderson scores a massive overhand right that knocks Bisping out cold. Henderson winds up and drops a huge right to the face of his unconscious opponent before the referee can stop him.

CHAMP GEORGE ST-PIERRE (19-2) VS. THIAGO ALVES (22-5) - welterweight title fight: Round 3: Alves amps up his energy level and goes on the offensive. However, he walks into punches before sprawling free of a takedown attempt. The fighters return to the center of the cage and trade shots for the next minute. Nothing significant lands until each lands a nice body kick. St-Pierre snaps off two rights and then shoots and again puts Alves on his way back. St-Pierre frees a leg and looks to improve the position while softening Alves with punches. Alves again muscles his way back to his feet by simply overpowering the champ. St-Pierre trips him up with a leg kick. The fighters trade jabs and then an exchange of rapid-fire shots before retreating. Alves wipes the blood from his nose but is then knocked on his back by a left from St-Pierre. The Canadian pounces on his opponent and unload ground and pound as Alves recovers and defends. Alves ties up St-Pierre and avoids any additional damage before the round sounds. Another clear round for St-Pierre, 10-9, who's up three rounds to none.

CHAMP GEORGE ST-PIERRE (19-2) VS. THIAGO ALVES (22-5) - welterweight title fight: Round 4: A huge ovation gets the championship fourth round underway. Alves shakes off an inside leg kick and continues pushing forward. St-Pierre pops him with jabs and then shoots and again easily secures the double-leg takedown. With one leg free, St-Pierre looks to make it two. St-Pierre flattens out his opponent and holds him tight to his body. Alves backs out and gets to his feet at St-Pierre remains on his back. Alves swarms on top and throws punches to the head and body. A couple get through and connect flush. St-Pierre, though, again pulls him tight, but Alves postures up to rain down a punch and then a series of them. However, St-Pierre kicks his way free and gets back to the standing position. St-Pierre still looks extremely fresh, though Alves is far from tired. Alves telegraphs and misses an uppercut before St-Pierre again scores a takedown at will. St-Pierre moves to half guard, Alves rolls to his knees, and St-Pierre takes his back with 25 seconds to go. Alves fends off the rear-naked choke and waits out the round.

JON FITCH (22-3) VS. PAULO THIAGO (11-0): Round 2: Thiago blocks a head kick, but Fitch clinches and eventually trips him to the mat. Fitch lands in sidemount but has little room to maneuver against the cage. Thiago again slaps on a guillotine from his back, but he doesn't have the grip or position he needs. Thiago tries to work his way free, but Fitch takes his back and tries to sink in his hooks from the standing position. Thiago breaks free and now puts Fitch against the cage. Fitch, though, scores another takedown and takes top position. As Thiago rolls for better position, Fitch takes his back and again tries to lock in his hooks. Fitch secures them and works for the rear-naked choke, though he's a little too high initially. Thiago tries to back out of the hold as Fitch works short punches to the body. Fitch then tries to readjust as Thiago tries to escape from the position. Thiago gets to a kneeling position, but Fitch remains on his back as the round closes.

T.J. GRANT (14-3) VS. DONG HYUN KIM (12-0-1): Round 2: Kim connects a left hed kick. Grant quickly defends and regains hos composure before landing a right and charging in. With Kim pinned against the cage, Grant works for the single leg. Kim defends, reverses the position and puts Grant in the guillotine submission from top position. Three in a row? Nope. Grant escapes but is now on his back as Kim works from full guard. Grant goes high with his guard but eats a right and a few elbow strikes. Grant is looking frustrated on his back as Kim continues a dominant top games that includes some pretty nasty shots. Grant, though, ties up Kim and has him stretched out in an odd position, but Kim backs out and stands over his opponent. He missed when raining down a shot but quickly returns to full guard. Grant works for an arm, but Kim gives up an effort to free a leg and puts Grant back into guard before posturing up and just missing with a huge right hand from the standing position. A timeout is called when Grant connects on a kick to the face while Kim still has a knee on the mat. A point may have been deducted for the illegal blow. The fighters restart from the standing position as the round expires. - 31491

About the Author:

UFC Fight Night 17 - Notable Rounds

By Diego Penn

STEVE BRUNO VS. MATTHEW RIDDLE: Round 2 - Riddle uses an overhand right to secure the clinch and delivers knees to the body before forcing Bruno the mat. He again frees one leg and delivers elbows from half guard. The position worked well in the first round, and he again has success with elbows. Bruno ties up one of Riddle's arms and has the youngster looking confused. However, Riddle gets to his knees and rains down a series of elbows to the face and side of Bruno's head. Bruno shows damage from the flurry but again works to tie up Riddle. After rolling to his knees, Bruno nearly escapes, but Riddle takes his back and forces the fight to the mat. Riddle gives up the position for half guard and continues popping Bruno with elbows and punches. One big blow lands with a thud, and Bruno assures the ref he's OK. Bruno tries to escape again but eats additional shots after leaving himself exposed. As Bruno gets to his feet, Riddle tags him with a knee to the body and locks in a guillotine. However, he eventually takes Bruno's back, locks in his hooks and then batters him with punches and hammerfists. With 10 seconds to go, Bruno wants to ride out the round, but Riddle punishes him for it with continued blows.

NICK CATONE VS. DEREK DOWNEY: Round 1 - Catone lands an early right, but Downey shoots for the single-leg takedown. Catone sprawls and spends the next half minute fending off the takedown. Downey presses Catone into the fence and delivers a knee to the body and instantly dips and again looks for the takedown. After switching to a single leg, he finally gets it and drags Catone to the mat. Catone, though, quickly reverses the position and puts Downey on his back. From north-south position, Catone works punches to the body, but Downey gets back to his feet, secures a leg and tries to take Catone to the mat. Catone defends well and knocks Downey off balance and puts him on the mat. Catone again works from north-south position and then attempts to take Downey's back. After a battle for position, Catone secures half guard and delivers a steady stream of elbows that appears to open a cut. From the ground, Catone works for a choke, but Downey gets to his feet. Catone pops him with a couple punches and then pushes forward to put Downey on his back with a bumrush takedown. Catone frees a leg and delivers elbows from half guard as the round comes to a close. As Downey gets back to his feet, he has a protruding half-baseball-sized swelling on the side of his head.

MATT GRICE VS. MATT VEACH: Round 1 - Veach with an early leg kick that connects, and once he tries to clinch, Grice hits him with a couple uppercuts. After a scramble, Veach gets the takedown and works from inside full guard. Veach delivers a steady stream of blows, but Grice works his way to feet while crawling up the cage with his back. Veach throws Grice to the mat and nearly locks in a choke, but Grice again gets back to his feet. The fighters clinch, and Grice connects on an uppercut and a subsequent blow that sends Veach staggering to the mat. Grice pours on the blows as Veach desperately tries to defend. The crowd stands and senses the finish, but Veach miracously holds on and ties up Grice. However, Grice soon secures mount. Veach reclaims guard, but Grice secures a guillotine when he tries to get back to his feet. Veach escapes, and we're back standing. Grice throws a glancing right that staggers Veach. But Veach throws a right that connects. The two fighters then stands toe and toe and swing wildly, each connecting with major power shots. Grice's legs buckle after abosrbing a huge right uppercut, and he falls to the mat. Veach follows with a series of punches to earn the come-from-behind TKO victory. Grice is upset about the stoppage and refuses to shake Veach's hand. While waiting for the decision, he continues to protest to the referee. Matt Veach def. Matt Grice via TKO (strikes) -- Round 1, 4:34.

LUIGIO FIORAVANTI VS. ANTHONY JOHNSON: Round 1 - Fioravanti swings first and misses wildly. After a lull in the action, Johnson lands a solid leg kick. After another lull, Johnson lands another. Both fighters look tentative in the earlty going. Johnson connects on a body kick and another leg kick, and Fioravanti gets through an overhand left. Johnson lands a nice leg kick and follows with a stiff jab. Johnson gets another leg kick. Fioravanti shoots for a single-leg takedown, but Johnson sprawls out of it. Fioravanti keeps him pinned against the fence and then tags Johnson with an accidental knee to the groin. The fight is stopped so Johnson can regain his composure. After a touch of gloves, we're back underway. Again, the both fighters try to fight from a distance, but both connect on a quick exchange. Back to the center of the cage, Johnson drops Fioravanti to a knee with a quick right. Fioravanti gets back to his feet, but he's wobbly, and Johnson goes in for the kill. A battering of knees, punches and kicks have Fioravanti on the run, and he then drops to the mat. Johnson unloads a quick barrage of punches until the referee is forced to halt the bout. Anthony Johnson def. Luigi Fioravanti via TKO (strikes) -- Round 1, 4:39.

MAC DANZIG VS. JOSH NEER:Round 2 - Neer gets the fight to the ground early and rains down a barrage of elbows from inside guard. The heavy blows land consistently. Danzig survives and nearly escapes, but Neer regains the position and continues the assault. Neer stands, and Danzig tries to escape again. However, Neer takes his back and then an arm, but Danzig pops free and takes the top position. The crowd roars at the turnaround. Danzig frees one leg, but Neer quickly pulls him back into guard. Danzig winds up and lands a big right, but Neer ties him up, and the referee warns the fighters to get busy. Danzig continues trying to work throw his opponent's guard, but Neer slaps on a triangle choke and secures his legs to make it tight. Neer then secures an arm, rolls over, and forces the tapout from the choke. Neer throws his mouth guard into the stands in celebration, and the crowd quickly turns on him and boos. Danzig immediately leaves the cage (but eventually returns to shake hands with Neer). Josh Neer def. Mac Danzig via submission (triangle choke) -- Round 2, 3:36.

As you can no doubt see, UFC Fight Night 17 was action packed with some of the biggest upcoming stars in the UFC. Some saw victory by submission and some chose to overwhelm their opponents with big shots. But they all have one thing in common: a bright future in the Ultimate Fighting Championship. - 31491

About the Author:

Howing To Improve Your Street Fighting Techniques And Abilities

By Vincent Grammar

What happens if you are involved in a street fight and there is nobody else around to help you? It is crucial to understand the fact that you must be able to protect yourself and not depend on external factors to help you. You must take up street fighting strategies. If you learn street fighting maneuvers you will come to know that they are the most effective forms of self defense and do not need any lethal weapons. They can be learned by almost any individual of any size and sex. The street fighting skills are the most extreme and reasonable ways to support your self from serious attacks and opponent.

You don't need to go to martial arts school in order to learn street fighting skills. There are also plenty of information available on the Internet to learn. Some tips will mention things like you must have control of your surroundings and to concentrate all the time and not let your mind wander. This will let your enemy know that you are aware of their purpose and that you are ready for what's to come. You must always keep away from open spaces so that you can take routes to escape where they have more number of people.

When you study street fighting tactics you will come to know that the element of fear will impede your thinking and you could become confused. Hence when you are in a fight it is important that you gain self control and do not become scare which sounds easier than it can be done. Panic and fear are a peoples' worst oppositions. They hinder the vision and mind to think rationally. The main point is that you must have a rational direction before it occurs so you know what to do.

In the martial arts school, they tell you about the importance of kicks. Kicks are an essential technique in any type of martial art. Some of the kicking moves may not be as effective when it comes to street fighting though. If you try to kick the assaulter in the mid-section or the head, then most likely the assailant will catch hold of your leg and throw you on the ground. Thus when you learn street fighting strategies, you should know to try and kick the enemy on their knee joint. A kick directly on the front side of the knee will make your enemy squirm in pain. Yu will be damaging their knee by either breaking the cartilage or the knee cap. Another strong move is to kick the person in the inside of the knee with full strength. This will be enough for the assailant to fall on the ground and you can then freely run away from the scene.

Domestic violence occurs anywhere in the streets and it doesn't matter where you live. Anyone can be the next victim of sudden attacks. Our relatives can get assaulted anytime whether we are with them or not. Acts of violence can happen for motives to get money, due to jealously, or by any unfair means. Therefore it is important we have to learn street fighting tactics in order to have a better future. - 31491

About the Author:

The Secret Behind Real Karate Fighting!

By Al Case

When you learn the truth of Karate kumite, there are certain truths about how to fight. One of the truths is that the mind shuts down during combat, and survival mode kicks in. Adrenalin junkies would have you believe this is good, but it is not, it is the worst thing that could happen.

As a species we don't have claws, or jaws, or quills, or smells, or any particular characteristic that would help us survive, except the mind. It is the mind that creates invention, it is the mind that adapts to survive. It is this thing called a mind that we must enhance if we are to reach our full potential as humans, and as humans on the fighting level.

One must control the distance in a fight, by controlling distance we have choice as to what weapon we choose to use. The way to do this is to tie a string from your belt to his, and practice moving so that the string stays taut without breaking. Now, move in this fashion, and within a short time your body will move with the other persons body because it likes the fact of harmony.

We must control the fact of the leg movements. The best leg positioning is when the legs are in a matching stance, which is to say his right leg is forward and so is yours, the second best position is when you are in an opposing stance, which is to say his right leg is forward, and your left leg is forward. The way to train yourself to always have matching stance is merely to walk with the string, and striving to always stay in a matching stance.

We must control the movement of the arms, again, in a matching or opposing sense. No string needed here, but you do have to be aware of distance, you have to match the movement of your partners arms as he closes distance. The way to do this is merely to control the stances and practice matching your arm motions to his.

Fourth, we must search for the techniques that work best for matching, and for opposing. Yes, you want matching, but whatever happens, you should be able to train yourself to handle it. The trick is to use a basic matrixing concept, and realize that whether matching or opposing, your arm will be either inside of his, or outside of his, and then find that technique that this position results in.

Lastly, we must put it all together. This would appear difficult, except that if you understand what I have said here, and worked on the individual exercises, then the whole thing comes together rather intuitively. The body, you see, even in the middle of combat, likes harmony.

Control distance, control positioning through the stance, control arms through inside or outside, this is simple stuff, but entirely overlooked by todays martial artists. But if you do understand what I have said here, then you will move to the head of the pack, for you are putting the mind, and awareness and the ability to think, into combat. Whether you study kenpo or tae kwon do, Aikido or Arnis, Uechi or Krav Maga, the truths in this article, the hint of matrix martial arts that I have given you, will make you a better fighter...an immensely better fighter! - 31491

About the Author:

Sign Up for our Free Newsletter

Enter email address here